virtualDavis

Waffling, by virtualDavis

Monday morning is Sunday night.

For me.

Which is to say, today… is yesterday.

Sleepless night.

Exhausted by 9:00 p.m. but unable to pull the darkness or the dreams deep enough.

So rested. In bed. For hours. Mind wandering.

To Machu Picchu. My parents journey to Lima tomorrow, and I follow in less than a week with my bride. Ready. Eager.

The reverse of jetlag is jetleap, I think, when the soul leapfrogs ahead of the journey. I’d better start catching up.

Why the waffle photo? I’m not waffling. Not really. But it’s an intriguing snapshot from the weekend to balance the onslaught of Halloween photo booth documentation, n’est-ce pas?

Related articles

• Machu Picchu!!! – Machu Picchu, Peru (travelpod.com)
• Incredibly surreal! – Machu Picchu, Peru (travelpod.com)
• Machu Picchu: The Apex Of Tebowing [Tebowing] (deadspin.com)

Linda Hollier’s Mindfulness and The Flâneur examines a topic near and dear to my heart, soul and senses: flânerie.

I’m honored to be mentioned and grateful because she inspired me to update my Metro Flaneur post with a list of my favorite flanerie miscellanea. But ego and overdue “housekeeping” are just the tip of the iceberg.

Ms. Hollier (@lindahollier) is positing an insight that intuitively resonates truth to me, but which I’ve never before heard.

Speed, whether online or offline, is a characteristic of the modern world. The flâneur reminds us to set the pace of our own lives.

Cast as a character in the 21st century drama of life, the flâneur thus begins to play the role of consciousness. (here2here)

Amen. The pace and the scope. Flânerie demands an elasticity of time and space. Freedom to meander, to lose oneself in the other, perhaps even to become the other without fully detaching from self. For a while.

Anthropologist Grant McCracken reflection on Joy Walking comes to mind.

It’s a little like joy riding, except we’re not stealing cars, we’re stealing moments. Joy walking happens when we leave the house or office and start walking. We don’t have a plan. We just go… We step in and out of people’s lives. Couples in love, couples at war…  The tiny courtesies and rudenesses of public life… The key is to get out and about. To get away. To see what you can see. Steal a moment. Make it your own. (PsychologyToday.com)

Ms. Hollier’s suggestion that flânerie and conscioussness may overlap is intriguing, an idea worth passing along to my mother who’s a student of Buddhism and a proponent of mindfulness. Let’s see if I can get her to weigh in. Stay tuned.

Off to meander the digital meadow with the mingling masses…

Update:

Great news. My mother, Melissa Davis, shared her impression. Thanks, mom! Here’s what the wise lady thinks:

Mindfulness, flaneuring and turtles

Reading this after an abbreviated mindful yoga session with Jon K-Z (on tape), I am delighted to chime in. Linda Hollier’s reference to turtles on leashes reminds me of walking with a 2- or 3-year old, a great flaneur opportunity. I recently grandparented my 3-year old granddaughter for a week which required walking her to preschool and back in Georgetown, a fascinating place where equipment and men with shovels were digging up the ancient trolley tracks. Took us forever – which was as good as it gets – even better than a turtle because she had a couple of feet more within her purview AND she asked questions!

Years ago I read a NYTimes op ed that shared the unscientific findings of a city dweller observing adults accompanying small children around a neighborhood in Manhattan. She reported that the majority of them pushed strollers which ensured timely arrivals wherever the adult was headed. She contrasted them with the handful of adults who walked – meandered – alongside their youngsters, stopping to examine every interesting flower or bit of flotsam along the way. She pointed out that there was nothing more important for a child that age to do than poke along – and through – every curiosity.

I think flaneuring is like drawing, something we are born with but that schedules and school steal from us. I agree that mindfulness – being totally present in the moment – goes hand in hand (or leash) with flaneuring. I am not surprised that so many people wonder if they ate, lose their keys, forget names, obsess about how stressed they are given the mindless speed that propels them through their days. A little daily flaneuring would sort them right out! (Melissa Davis)

Amen! Way to go, mom. Just goes to show that my decision to meander the digital meadow with the mingling masses yesterday restored the cosmic balance, inspiring my mother to opine. Perhaps I should meander the soggy non-digital meadow this afternoon?

Related articles:

• Joy walking (psychologytoday.com)
• What is a flâneur?
• The Loquacious Flaneur
• Flaneur as Detective
• A raconteur in every flâneur
• Urban Flaneur Guidebook
• Fête du Flâneur
• A Flâneur’s Tour of Toronto
• Johannesburg Flaneur
• Friday Flaneur: Munching music
• The Flâneur & The City: Historic Core
• Staring Flâneur
• Flâneur videos all around the world
• Trespassing flâneuse
• Fish Flanerie at its Most Alluring
• Autoportrait à République
• Flanerie: Banal into Art
• A poet who moves to the city’s beat
• Observations by the Foto-Flaneur
• Cycling with the vélo-flâneur
• Look, Wander and Create

Johannes Gutenberg (Image via Wikipedia)

If you write or in any other way participate in the world of book publishing you’ll enjoy reading “Amazon Signs Up Authors, Writing Publishers Out of Deal“. Wait, enjoy is probably the wrong word for what some will feel… Angst, perhaps?

It’s an update on Amazon’s publishing inroads. Major inroads!

Of course, Amazon execs are playing down their recent victories, and they’re dismissing traditional publishers’ doomsday moans and groans.

“It’s always the end of the world,” said Russell Grandinetti, one of Amazon’s top executives. “You could set your watch on it arriving.” 

He pointed out, though, that the landscape was in some ways changing for the first time since Gutenberg invented the modern book nearly 600 years ago. “The only really necessary people in the publishing process now are the writer and reader,” he said. “Everyone who stands between those two has both risk and opportunity.”(NYTimes.com)

Risk and opportunity. Amazon risks pissing off the old guard while gobbling up their lunch. But I, as a storyteller/writer/reader/listener/watcher, the increasingly intimate writer-to-reader relationship that stands to grow stronger, closer and less complicated. Right?

Not so fast, suggest some critics.

Amazon’s publishing program… positions Amazon as agent, editor, and publisher… putting Amazon in direct competition with the world of publishing.(ConsumerReports.org)

And this full frontal assault stands to complicate writers’ situations, at least for a while. Kiana Davenport’s story serves as a warning to writers who try to straddle the opportunity with one foot in traditional publishing and the other in the Amazon world of publishing. I suspect her story is not unique.

Davenport’s infraction was ostensibly innocent enough. While Riverhead Books, a division of Penguin, prepared to launch her novel, The Chinese Soldier’s Daughter, she attempted to beef up her platform by self publishing Cannibal Nights, a collection of twenty year old short stories, as an Amazon ebook. Penguin promptly spanked her by pulling her book deal and demanding that she return her $20,000 advance.

“They’re trying to set an example: If you self-publish and distribute with Amazon, you do so at your own risk,” said Jan Constantine, a lawyer with the Authors Guild who has represented Ms. Davenport.

The writer knows her crime: “Sleeping with the enemy.”(NYTimes.com)

While Amazon is busy rewriting the rules of book publishing the old guard is lashing out, trying to preserve an increasingly unsustainable business model. Time is a reliable resolver of such conflicts, and though we may one day lament certains aspects of the transition, making examples of industrious, self-promoting authors strikes me as a desperate and futile exercise.

As Amazon accelerates it’s challenge to traditional publishing do the opportunities outweigh the risks? Or should self-publishers cower in fear?

I conclude with a thoughtful (but unfortunately unacredited) reflection posted at Instapundit:

Amazon isn’t getting rid of publishers, it’s becoming a publisher. This means the group that controls the distribution also controls the content selection. Not exactly a blow for the Army of Davids in my opinion — when all the publishers are gone, who will publish the books critical of Amazon? Bottom line: It’s not getting rid of middlemen, it’s just muscling them out so it’s the only middleman. It does however reveal that in the age of digital publishing, discoverability and promotion on the digital storefront is the only thing that actually matters. The role of publishers in curation is almost totally abrogated to the sellers. When anyone can publish a book, it’s no longer the publishers that are the gating factor to what we read, it’s the digital storefront. It’s a very interesting shift and definitely good news for Amazon and the like. (Instapundit)

Hat tip to Kathryn Reinhardt for referring the article, “Amazon Signs Up Authors, Writing Publishers Out of Deal“, to me.

Related articles

• Amazon’s moves into publishing business cause traditional publishers to feel threatened (teleread.com)
• Amazon Signs Up Authors, Writing Publishers Out of Deal (nytimes.com)
• Amazon Bypassing Publishers By Signing Authors Directly (news.slashdot.org)

“Like it or not, a digital you is out there.”
~ Lawrence Joseph

Lawrence Joseph’s latter day truism is sandwiched between layers of post-9/11 offal like a slather of mustard or a thin slice of onion, a piquant but ancillary ingredient trying to mask the repugnant meat of the poem.

Digital display 2 (Image via Wikipedia)

It fails. The poem “So Where Are We?” (Granta, Issue 116) and most of the other sketches and reflections in Granta’s Ten Years Later, edited byJohn Freeman, are deeply disturbing. But that’s the point, I suppose, looking back on a decade that scrambled and irreversably transformed much of the free world.

And yet Joseph’s assertion about digital redundancy clung to me. The notion of digital clones has become ubiquitous. It needs no explanation. It is a contextualizing, familiar point of reference that justifies the grotesque world conjured in this collection.

Like it or not, there’s a digital you out there. In fact almost every aspect of your life is probably reflected in some computer somewhere. You could say that information, that data, has a life of its own. If you have anything to do with modern society, you are no longer a purely biological, analog being. (New York Times)

I’m not altogether uncomfortable with this idea as the name of my blog plainly suggests, but I am fascinated with the implications of this analog/digital duality. I’ve said before that we’re living through a storytelling renaissance. Though we don’t always see it that way (teachers lament ever shortening attention spans for reading and literature; publishing executives panic as books become ebooks become Vooks become…), the proliferation of digital selves and the near universal acceptance of digital identities suggests a convergence of real world and narrative world. We are becoming our stories. Or vice versa.

The one big idea from the original “Tron” that maintained relevance was that some binary version of you is running around out there in all those ones and zeros, to a certain extent under your control but also, in a profound way, forever beyond your reach. Now we can all have multiple identities all the time: just make another user name, and you’re someone else, right? That conceit is not always accurate… (New York Times)

Are you keeping track of your digital selves? Are they still in your story, or have they defected? I’ve seen a few new faces wandering around in my own stories lately after all.

Related articles

• Your Digital Legacy (Part 1) (sixestate.com)
• Avatars with your body language get your point across(newscientist.com)
• When Virtual Sex Becomes Real (passionatereads.com)
• What is a Vook? (virtualdavis.com)
• The Ever Evolving Social Media Revolution (virtualdavis.com)
• Digital Storytelling: A New Paradigm (virtualdavis.com)

I’ve just read Sue William Silverman’s defence of memoir-writing, an essay full of grounded, honest advice learned in the trenches. A timely pep talk while venturing through the back alleys of my own memoir. Read the article in its entirety, but to pique your interest, here are the five reasons Silverman suggest that your life will be enhanced by discovering and telling your own memoir:

1. Writing Memoir Helps You Overcome Fear “you’ve already lived through, survived, the actual moment… Now, tell yourself, you’re “only” writing about it, figuring out what it meant… Once the words are down on paper, you’ll feel as if a great weight, the weight of the past, has been lifted… I feel lighter, freer, as if I can truly breathe.”
2. Memoir Helps You Understand the Past and Organize Your Life “I gain clearer insights about my past when I write it, rather than simply sitting around thinking about it in the abstract… Writing is a way to interact with—and interpret—the past. It helps us make sense of events whether they are traumatic, joyful, or just confusing… Memoir writing… helps us shape our lives… we give our lives an organization, a frame, which they would not otherwise have. Memoir creates a narrative, a cohesive life story. It gives your life a previously undiscovered structure and theme.”
3. Memoir Helps You Discover Your Life Force “To write is to give birth to a more complete self… There is only one of you. Your voice is unique. If you don’t express yourself, if you don’t fully explore who you are, that essence of you will be lost forever… The act of writing is where the spirituality of artistic endeavor resides.”
4. Memoir Helps You as well as Others to Heal Giving a voice to your past is empowering to you and your audience.
5. Confessing through Memoir is Good for the Soul “As you challenge yourself, you’ll feel more courageous every day. Writing memoir energizes your psyche, nourishes your soul… To do so is to feel your horizons expand… Writing is a way to take possession of—to fully own—our lives. Only you own your memories.(Numéro Cinq)

Sue William Silverman’s most recent book, Fearless Confessions: A Writer’s Guide to Memoir is available at Amazon.com in paperback and Kindle editions.

Related articles

• Writing Your Memoir, One Short Story at a Time (danasitar.com)
• Write A Memoir That Sells (terrywhalin.blogspot.com)
• In Defense of Memoir: Once More Into the Fray(brevity.wordpress.com)
• Don’t Write a Memoir to Get Revenge (janefriedman.com)

Storytelling in the Digital Age. It should have have an acronym, but SDA sounds like a medical device. StoDA?

Or, maybe it’s time to drop the “Digital Age” reference and remember that storytelling, in any age, is storytelling.

No matter what you dub it, it’s a sizzling time to be a storyteller! Powerful new storytelling platforms, tools and communities are being invented every day, empowering storytellers and audiences but simultaneously introducing new challenges. As a writer, storyteller and teacher, I’m a bit obsessed with the evolution of author/audience relationships. Storytelling in the Digital Age is redefining this timeless relationship in exciting and unpredictable ways; empowering raconteurs of all stripes to explore new narrative vernaculars; unshackling indie creators from yesterday’s gatekeepers and referees; and enhancing audiences’ appetites for stories and previously unimaginable story interfaces.

But Storytelling in the Digital Age isn’t all noontime massages and dark chocolate. The proliferation of sexy media tempts creators to swap good narrative craft for snazzy special effects. Critics worry that audiences are becoming lazier, more passive even as increasingly interactive storytelling is possible.

What follows is a digital scrapbook of interesting tidbits about Storytelling in the Digital Age for you to check out. I’ll add and subtract as inspiration (and time) permit. Don’t hesitate to recommend juicy material that I’ve overlooked!

It’s a sizzling time to be a storyteller! New, powerful platforms and tools are invented every day. And storytelling communities are coalescing where and when they never existed before. Here’s a digital scrapbook of interesting tidbits for you to check out.

http://storify.com/virtualdavis/storytelling-in-the-digital-age

Related articles

• What Will ‘The Future of Storytelling’ Look Like? (mediabistro.com)
• Digital storytelling project aims to inspire (mnn.com)
• Narrative.ly Taps Into NYC’s Untold Stories (pbs.org)
• Kickstarting a literary studio for serialized fiction (boingboing.net)
• Beat reporting in the digital age (journomel.com)

Remember fiverr?

Remember “Martial Folly and Sando”?

I’ve enjoyed dabbling with fiverr gigsters from time to time since the site launched, and I recently returned to create some small graphic and video content snippets. Some of these will be incorporated into a longer video and/or a site redesign. Watch this space!  ;-)

In the mean time I’m going to show off some caricatures produced by fiverr gigsters, starting with a fellow named Kyle (aka gmcube) who created that caricature above. Not 100% certain it resembles me, but it’s a fun enough image to start the collection. By the way, if you’re interested having your own caricature produced, just run a fiverrr caricature search. I see that Kyle’s no longer offering the service, but plenty of others are, and the price point is low enough that you [almost] can’t lose.

It reminds me of walking, walking, walking around Paris in 1980 with my mother and her friend, Tanya. I was a young boy of seven-going-on-eight, and I’d grown equally weary of trying to speak French and keeping abreast of my mother’s ambulatory ambitions. Apparently I spent more time kicking pigeons than looking up at the architecture. I do remember getting shit upon by a pigeon in the Jardin des Tuileries while eating a picnic lunch…

One afternoon we arrived at the Place du Tertre in Montmartre, the artist thronged plaza near the Basilica of the Sacré Cœur. The three of us walked around watching artists drawing and painting, many whipping off quick caricatures for tourists. Suddenly I was lifted from the cobbles and plunked onto a folding seat by an old wrinkly babbling away in French to my mother. And then my mother and Tanya walked away. Abandoned me! Just like that.

I considered. Looked at the man scribbling madly away while looking at me out of the corner of his eye. I reckoned that he’d see me better if he weren’t looking through a blue cloud of cigarette smoke. Then I glanced to where my mother and Tanya had been. Gone! A large crowd had swallowed them up and I was left alone without cash to pay the doodler.

I panicked. Leapt up and raced into the crowd where they had vanished, the artists shouting after me. I raced willy nilly through the crowds, making my way almost all the way around the plaza before finding my mother. I was scared, frustrated and furious. She explained that they’d planned to walk around the plaza and then return to me to pay for the caricature. Needless to say, I did not return to the artist nor retrieve the incomplete caricature. So far as I can recall Kyle’s image above is my first. But there will be others…

Related articles

• 5 Odd Fiverr Gigs (bigbaddie.com)
• Can Fiverr Help You? (leccoworkshop.com)
• Will Fiverr Do the job? (preciseinternetmarketing.com)
• My Fascination with Fiverr Continues (regretsy.com)
• Is Fiverr Worthwhile? (preciseinternetmarketing.com)
• Charting the evolution of the caricature (salon.com)

Tim Ferriss, author of The 4-Hour Chef

While word warriors continue to battle over the death/rebirth of publishing, I’m inclined to agree with Paul Carr that the “the golden era of books isn’t over. The golden era of books is NOW!“

In terms of both unit sales (up 4.1% from 2008) and revenue (up 5.6% from 2008), American publishers experienced a bumper year last year.

And the good news doesn’t stop there: thanks to the Kindle and the iPad, people who three years ago would never have strayed within 500 feet of a bookshop (and still wouldn’t) can now buy the latest James Patterson as easily as downloading Angry Birds. People who weren’t reading for pleasure, now are. This is good.

Even more interestingly, Amazon has extracted from amber the DNA of pamphlets and short stories (and maybe even serial novels) and given them a chance at new life in the form of Kindle Singles…

So, yes, given that the publishing industry is thriving, new formats are emerging, dead formats are coming back from the grave and top flight authors are making tens of millions of dollars a year, it’s something of a stretch to argue that the golden era of books is over. Moreover, it’s considerably less of a stretch to argue that the golden era of books is now. (TechCrunch)

And what better proof than Alison Flood’s announcement in The Guardian on Wednesday: “Amazon strikes first ‘major’ publishing deal“?

Amazon.com has made the first “major” acquisition for its New York-based publishing imprint, snapping up rights in bestselling self-help author Timothy Ferriss‘s new book The 4-Hour Chef.

Ferriss is author of the New York Times bestsellers The 4-Hour Body and The 4-Hour Workweek… The 4-Hour Chef will, said Amazon, build upon the “4-hour” philosophy “by transforming the way we cook and eat”. It will publish the book in print, digital and audio formats next April.

Ferriss, whose previous books were published by Random House imprint Crown, said that his decision to move to Amazon Publishing “wasn’t just a question of which publisher to work with. It was a question of what future of publishing I want to embrace.

“My readers are migrating irreversibly into digital, and it made perfect sense to work with Amazon to try and redefine what is possible,” said the author in a statement. “This is a chance to really show what the future of books looks like, and to deliver a beautiful experience to my readers, who always come first…” (Guardian)

Amazon, who’s publishing imprint is headed by Larry Kirshbaum (formerly the CEO of Time Warner Book Group), stands to dominate the future of print, digital and audio publishing, and veteran book creator/peddler Tim Ferriss has now driven this message home once and for all!

Ferriss has opined on the state of the publishing industry before, often defending his choice to work within the traditional publishing industry, but he’s a savvy thinker, investor and self promoter, so I wasn’t surprised to discover that he courted Amazon rather than vice versa.

The opportunity to partner with a technology company that is embracing publishing is very different than partnering with a publisher embracing technology. (TNW Media)

Could the message be more clear? I’m looking forward to reading The 4-Hour Chef!

Related articles

• Amazon strikes first ‘major’ publishing deal (guardian.co.uk)
• Tim Ferriss’s deal with Amazon is both an outlier and a harbinger (idealog.com)
• Amazon boosts its publishing credentials by signing self-help guru Tim Ferriss (thenextweb.com)
• Amazon Publishing Signs Up Timothy Ferriss’s Next Book(online.wsj.com)
• Amazon Set to Publish Pop Author – New York Times(nytimes.com)
• Publishing News: Amazon launched the HTML5 Kindle Cloud Reader (radar.oreilly.com)
• Amazon’s publishing arm signs up Timothy Ferriss (guardian.co.uk)

So I’ll get it out in the open right from the get-go. I’m not a big Harry Potter fan. I’ve read bits and pieces, caught a film on the airplane, but for one reason or another I never caught the bug.

Frank Rose’s post on Deep Media caught my attention. “From PotterWar to Pottermore: The Extraordinary Evolution of Harry’s World” takes a look at J.K Rowling’s cyber quest. From ink and paper to a digital, virtual world, Pottermore promises Harry Potter fans a wormhole into the fantasy land they crave. But fans will do more than simply populate the bleachers of Pottermore; they’ll actively — interactively — participate in the narrative.

a challenge to existing business models… is minor compared to a wholesale rethinking of the art of fiction. And… that’s what Rowling promised—an acknowledgment that the Internet makes possible an entirely new form of narrative, one that readers can not only consume but explore and build upon…

“It’s the same story, with a few crucial additions,” she [J.K. Rowling] says of Pottermore in an introductory video on the site. “The most important one is you. Just as the experience of reading requires that the imaginations of the author and the reader work together to create the story, so Pottermore will be built in part by you, the reader.” (Deap Media)

You with me? Interactive, transmedia Harry Potter. The next frontier… Maybe it’s time for me to take a look!
Related articles

• Magic Indeed: J.K. Rowling Rethinks the Art of Fiction(wired.com)
• Pottermore Promises More Potter, Cowbell (geeksaresexy.net)

Clipped from: shellartistree.posterous.com (share this clip)

Is it an accident that the palm of the hand is cool and inviting, a brookside grotto inviting us in to rest and listen to the water burbling past? Is it an accident that the index finger knuckle suggests an eye awakening a children’s book character from the hand, index finger and thumb? Is it an accident that the fingers and their shadows echo the sensuousRubenesque topography of a woman’s legs and posterior?

Yes. Accidents.

Just as the grotto feels safe and calm, like sitting in the earth’s gentle hand. Just as the improvised puppet inspires a child’s laughter and imagination despite being “just your hand”. Just as the nude napping in early evening light suggests cupped fingers, a shadowy hand gathering sheets.

Thanks for these accidents, Michelle Rummel (@shellartistree).

Related articles

• The Space Between (virtualdavis.com)
• The Cinnamon Peeler (virtualdavis.com)
• Flanerie: Banal into Art (virtualdavis.com)
• Constructed Landscapes (virtualdavis.com)
• The Loquacious Flaneur (virtualdavis.com)
• The Doodle Daily (virtualdavis.com)
• Sidewalk Art (virtualdavis.com)