virtualDavis

Tim Ferriss, author of The 4-Hour Chef

While word warriors continue to battle over the death/rebirth of publishing, I’m inclined to agree with Paul Carr that the “the golden era of books isn’t over. The golden era of books is NOW!“

In terms of both unit sales (up 4.1% from 2008) and revenue (up 5.6% from 2008), American publishers experienced a bumper year last year.

And the good news doesn’t stop there: thanks to the Kindle and the iPad, people who three years ago would never have strayed within 500 feet of a bookshop (and still wouldn’t) can now buy the latest James Patterson as easily as downloading Angry Birds. People who weren’t reading for pleasure, now are. This is good.

Even more interestingly, Amazon has extracted from amber the DNA of pamphlets and short stories (and maybe even serial novels) and given them a chance at new life in the form of Kindle Singles…

So, yes, given that the publishing industry is thriving, new formats are emerging, dead formats are coming back from the grave and top flight authors are making tens of millions of dollars a year, it’s something of a stretch to argue that the golden era of books is over. Moreover, it’s considerably less of a stretch to argue that the golden era of books is now. (TechCrunch)

And what better proof than Alison Flood’s announcement in The Guardian on Wednesday: “Amazon strikes first ‘major’ publishing deal“?

Amazon.com has made the first “major” acquisition for its New York-based publishing imprint, snapping up rights in bestselling self-help author Timothy Ferriss‘s new book The 4-Hour Chef.

Ferriss is author of the New York Times bestsellers The 4-Hour Body and The 4-Hour Workweek… The 4-Hour Chef will, said Amazon, build upon the “4-hour” philosophy “by transforming the way we cook and eat”. It will publish the book in print, digital and audio formats next April.

Ferriss, whose previous books were published by Random House imprint Crown, said that his decision to move to Amazon Publishing “wasn’t just a question of which publisher to work with. It was a question of what future of publishing I want to embrace.

“My readers are migrating irreversibly into digital, and it made perfect sense to work with Amazon to try and redefine what is possible,” said the author in a statement. “This is a chance to really show what the future of books looks like, and to deliver a beautiful experience to my readers, who always come first…” (Guardian)

Amazon, who’s publishing imprint is headed by Larry Kirshbaum (formerly the CEO of Time Warner Book Group), stands to dominate the future of print, digital and audio publishing, and veteran book creator/peddler Tim Ferriss has now driven this message home once and for all!

Ferriss has opined on the state of the publishing industry before, often defending his choice to work within the traditional publishing industry, but he’s a savvy thinker, investor and self promoter, so I wasn’t surprised to discover that he courted Amazon rather than vice versa.

The opportunity to partner with a technology company that is embracing publishing is very different than partnering with a publisher embracing technology. (TNW Media)

Could the message be more clear? I’m looking forward to reading The 4-Hour Chef!

Related articles

• Amazon strikes first ‘major’ publishing deal (guardian.co.uk)
• Tim Ferriss’s deal with Amazon is both an outlier and a harbinger (idealog.com)
• Amazon boosts its publishing credentials by signing self-help guru Tim Ferriss (thenextweb.com)
• Amazon Publishing Signs Up Timothy Ferriss’s Next Book(online.wsj.com)
• Amazon Set to Publish Pop Author – New York Times(nytimes.com)
• Publishing News: Amazon launched the HTML5 Kindle Cloud Reader (radar.oreilly.com)
• Amazon’s publishing arm signs up Timothy Ferriss (guardian.co.uk)

Electric Type's Drew Frish on digital/audio book integration

Drew Frist is the founder of Electric Type (@electrictypeco), a digital book publisher who just released their debut digital children’s app, Jungle Book: The Story of Mowgli & Shere Khan. It looks delicious! Check out the promo video, and I’m guessing that if you have kids you’ll head over to iTunes before long.

In a recent video response to the question, “What are your thoughts on audio books?”, Frist expressed a wish that I’ve been trumpeting for months: it’s time for user friendly digital book and audio book integration. Print books are familiar and nostalgic. Digital books are cheap, quick, frictionless and they eliminate paper cuts. Audio books are perfectly portable and they expand our reading opportunities to the car, the gym, the ski slopes.

Why aren’t we bundling all three? This value-added merchandising play is not only good business in an increasingly competitive publishing world, it’s actually better than all three. In short, bundling digital, audio and print is better than the sum of its parts.

Most of us still love paper and ink. Bindings. Smells. Easy marginalia. Worn pages. Dog eared corners. It’s a habit with some enduring benefits (ever read your iPad in full sun?) and a viable long tail. In short, many readers still want print books.

Digital book detractors have not immersed themselves in the experience. Just my two cents, but I find it hard to believe that print book purists don’t accept that there are some amazing opportunities with digital publishing. Instant access to almost everything no matter where you are. Did I mention instant? Did I mention cheap? Did I mention searchable content? Okay, the technology is still new and rather clunky, but progress is being made at warp speed.

I admit that once upon a time I scoffed at audio books. Remember when they were recorded on tapes? When they were almost all abridged? When the audio book technology and availability were more hindrance than help? I changed my tune almost a decade ago when my then-fling-now-bride and I were commuting between the Adirondacks and Manhattan. Five hours in the car wrestling with tailgators and snow storms was transformed into five hours of “reading” books that we might not otherwise have taken the time to squeeze into our busy lives. Outstanding recordings, many by the authors themselves, and none were abridged. In those early days we listened to CDs. Remember those? The advent of compact disks reduced the need to abridge books because they could hold so much more data than tapes. Before long we transitioned to MP3 downloads from places like Audible.com and enjoyed the dilated offerings and the instant access. Driving bliss. It wasn’t long before audio books crept into my workouts, flights, train rides, etc.

So spoiled! So many choices. So much bickering about which one is best.They’re all best! Do you remember this video?

We have so many amazing resources at our fingertips, and yet we live in a culture where opinions are celebrated without necessarily stopping to evaluate or analyze them. Remember debate? No? It was a logical, quasi-methodical framework for constructively addressing differences of opinion. Weird, right? I know. Now we just shout opinions, whine opinions, burp opinions, snore opinions, regurgitate opinions, sweat opinions and generally excrete opinions around the clock. It’s cool. It’s social…. ;-)

An avalanche of opinions. But are we evaluating and analyzing this avalanche of opinions, or are we just scrambling to keep our heads up and our opinions spouting? Is anyone stopping to ask if print books, audio books and digital books need be mutually exclusive? With such distinct merits and appetites for all three, it would make a world of sense to zip them all up together in the same pair of pants so that they could audition for the lead roll in our storytelling opera.

Some of my best book experiences lately have resulted from buying all three formats, and in many cases re-consuming large sections of the work in multiple formats. Active writers, researchers and thinkers would relish the opportunity to:

• buy a bundled, multi-format title from their favorite seller
• tuck into the hammock to read the print book in the shade of a towering oak tree
• continue the story on their iPod while mowing the grass
• bookmark a quotation while listening to the audio book so that they can send it off via Twitter or email
• sync the audio book with their digital book reader to pick up where they left off
• quickly locate and share the bookmarks via email, blog post, Facebook, etc.

So often while I’m listening to an audio book I’ve yearned for a quick and easy way to bookmark, quote or share a passage. So often while reading a digital book I’ve yearned for a high-quality audio performance to pick up where I need to leave off to drive to a meeting. So often while reading a printed and bound book I’ve yearned for an efficient way to search for a passage…

Isn’t it time that we integrate digital books and audio books seamlessly in a single, user-friendly app? And wouldn’t it be great if this integrated digital app were bundled with a print copy? It’s a win-win-win proposition!

Related articles

• Blowing Out the Digital Book as We Know It (downes.ca)
• Digital Reading: To Do Digital Books Right, Writers Will Learn to Talk Tech (digitalbookworld.com)
• Digital book sales soar in the UK (bbc.co.uk)
• New Releases in the Digital Book World, 5/13/11(digitalbookworld.com)

Image via Wikipedia

Ready to turn your damned-good-doggerel into an ebook? Or that collection of your grandmother’s delicious desserts? These “Six eBook Formatting Tools” from eBookNewser will get you started:

• Calibre: This free tool will let you create an eBook for all of the major eReaders, including Kindle, Nook, iPad and Sony eReaders as well as a bunch of others. You can transform news from websites into readable files on eReaders and even make DRM-free eBooks. But note that it does not support Word files.
• Aspose: Using Aspose.Word plugin, you can convert a Word file into an ePub file. It is a pay service, but you can test drive the application with a free trial.
• Mobi Pocket: This free tool lets you create an eBook from HTML and Word and image files. Image files –GIF, JPEG, PNG, BMP– get automatically optimized for a PDA viewer.
• Jutoh:This $39 tool lets you make books for Kindle, iBooks and Nook, among other formats. It can ePub, .mobi, .txt and .odt files through its in app text editor. It works in Windows, Mac and Linux.
• Feedbooks.com: This free tool lets you create your own ePub, Kindle and PDF files from within its software platform.
• BookGlutton: This free tool lets you turn HTML books into ePub files

Did I miss your favorite ebook creation tool? Please tell me about it, and I’ll add it to the list. Thanks!

Related articles

• PDF/ePUB to Kindle Tool 1.3 (techappz32.com)
• Kindle Books Now Outselling Print Books (digitalbookworld.com)
• Kindle 2012: Wish-list features for the next model (radar.oreilly.com)
• A New Frontier: Independent eBookselling and the Google Experience (digitalbookworld.com)
• Is Barnes & Noble Gearing Up to Completely Kill eReader and Fictionwise? (geardiary.com)
• How do you convert PDF to ePub for iTouch (wiki.answers.com)

Surrounded by Books: 10 Second Pause

A publishing world evolution. Print. Digital. Books. Gadgets. We’re bombarded with speculation, doomsday nay-saying and snake oil promises. Exciting. Exhausting. Time to take a rest. Just for a moment. A short rest. Here. On this bookshelf… Aaahhh.

Related articles

• E-Books: a Cottage Industry (ereads.com)
• Searching in ebooks: A unique use case that requires a unique approach (radar.oreilly.com)
• Search Inside Ebooks: Why Readers Look & What They’re Finding (digitalbookworld.com)
• When content customization is baked in, ownership trumps access (radar.oreilly.com)
• Day 3: The Doomsday Conspirancy – Sidney Sheldon (massacrebypink.wordpress.com)

Rory Sutherland: Life lessons from an ad man (TEDTalk)

“How many problems of life could we solve actually by tinkering with perception rather than that tedious hard working and messy business of actually trying to change reality?” ~ Rory Sutherland

Aside from Rory Sutherland‘s native charm (V4VYVUKTS56Y) and compelling storytelling which might have made his presentation enticing even if he were reminiscing the joys of wash-and-wear nappies, this ad man’s life lessons about perception and intangible value are spot-on! Obviously writers and storytellers of all stripes have been trafficking in perception since the beginning, but listening to Sutherland wax on about Mustafa Kemal Atatürk and Pernod and Shreddies I found myself thinking about publishing.

On the one hand, much lamentation has been spilled over the inevitable tactile and aesthetic losses in a digital book world. That musty smell of decomposing paper, the crisp swish of a turned page, the decadence of filling the margins with inked notes, doodles and the phone number of that attractive lady you met in the adjoining library carrel. Also much grumbling about the practical nuisance of an electronic tablet, ill-suited to reading in the tub or on a beach towel under the sun… In short, print book folks worrying aloud as we adopt a new vehicle for reading and sharing books.

To be sure, there is much that we’re losing, though I’ve suggested often enough that the transition is not likely to be quite as black and white as most people suggest, nor will print books vanish for a long, long time. Books will remain an important and present part of my world forever. But the inevitable transition to digital for many/most new releases is bittersweet for me. And yet, I understand and embrace this change. Sutherland touches obliquely on one of the reasons for my enthusiasm.

“If you want to live in a world in the future where there are fewer material goods you basically have two choices. You can either live in a world which is poorer, which people in general don’t like, or you can live in a world where actually intangible value constitutes a greater part of overall value. That actually intangible value in many ways is actually a very, very fine substitute for using up labor or limited resources in the creation of things.” ~ Rory Sutherland

This is but one small enthusiasm I share for digital publishing’s eclipse of smells-and-bells print publishing. And yet it’s an interesting one given that this question of perception and intangible value is deeply intertwined in the markets eager move to digital. Buyers are loading digital accounts with books that they may read, hope to read, could read,… Reading is hot again! Or at least owning books is hot again. I suppose that publishers lamenting the appetite for digital books might have mounted more intelligent campaigns cultivating and nurturing our appetites for the aesthetic pleasures of print books. It’s not too late. As print books become the exception rather than the rule, they will become luxury goods. And the opportunity to romance and inflate the value of ink and paper and binding will be ripe for exploitation.

A meandering post, headed nowhere in particular, I realize now. A pensée du jour that I’ll abandon as quickly as I initiated it. But first, two quotations with which Sutherland concluded his presentation:

“We are perishing for want of wonder, not for want of wonders.” ~ G.K. Chesterton

“Poetry is when you make new things familiar and familiar things new.“ ~ Rory Sutherland

So far as I can tell, this second quotation is Sutherland’s adaptation of a smart reflection inherited from Samuel Johnson:

“The two most engaging powers of an author are to make new things familiar, and familiar things new.” ~ Samuel Johnson

Holy mackerel! Amazon is closing the marginalia gap that I’ve fretted over and soapboxed/dreamed about. With “Library Lending for Kindle Books” Amazon is partnering with OverDrive to offer the next big leap in digital books: library-ification of ebooks. But hidden in this evolution is the top item on my wish list, ebook marginalia.

“We’re doing a little something extra here,” Marine continued. “Normally, making margin notes in library books is a big no-no. But we’re extending our Whispersync technology so that you can highlight and add margin notes to Kindle books you check out from your local library. Your notes will not show up when the next patron checks out the book. But if you check out the book again, or subsequently buy it, your notes will be there just as you left them, perfectly Whispersynced.” (Kindle Nation Daily)

As Mike Cane opines, “Well, if there was any doubt Amazon has totally vanquished everyone else, there’s no doubt now.” Unfortunately (or fortunately, depending on your perspective) the marginalia is user specific, so the next borrower won’t be able sift through your clever comments. But wouldn’t it be nice/handy if we could give others access to our marginalia? It should be quick, easy and fun to share my marginalia with others!

Digital storytelling must develop the potential for annotation and marginalia that print books permit. And it will be important to devise innovative ways for readers/consumers to share this marginalia. I know this sounds scary, and it poses real challenges (intellectual property rights, etc.), but it is inevitable and good. And it will unleash a viral potential heretofore unfathomable, not to mention the pedagogical implications.

Think, for example, of a teacher who lets students see/use her margin notes, etc. Or imagine the voyeuristic pleasure of observing the notes, doodles and underlining of an admired thinker or writer…

Related articles

• Amazon Sets Up $6 Million Royalty Fund for Lending Library Authors (mashable.com)
• How Amazon Plans to Give Indie Authors a Leg Up (Hint: There’s Cash Involved) (readwriteweb.com)

Christina Katz: Is the future of publishing bleak? Go ahead and tell us. We can take it.

Jane Friedman: The future of paper-book publishing is bleak. Paper books will become talismans, souvenirs, collectors’ items, or something that “paper sniffers” will insist on buying. I don’t buy into all the sentimentalism for paper books, but there will be a cabal of those types—just enough people to ensure that paper books are an enthusiast or niche product, much like vinyl.

The future of writing, reading, and literacy [however] is bright… (Christina Katz ~ The Empowered Writer)

So begins Christina Katz’s insightful interview with Jane Friedman, former publisher of Writer’s Digest and current visiting professor at The University of Cincinnati. The interview complements Friedman’s publication of The Future of Publishing: Enigma Variations, but employs a more pragmatic, dilated look the present and future of the publishing industry. To my knowledge there are very few as informed, lucid and articulate on this subject, and Katz does an excellent job of amplifying the message that Friedman so lightheartedly explores in her new ebook.

View the collected highlights from Jane Friedman’s ebook launch…  

Jane Friedman’s new book is part publishing world science fiction, part 21st century book fugue and part author-agent-publisher slapstick! Released on April Fool’s Day, it delivers the wisdom that only laughter can conjure…

http://storify.com/virtualdavis/future-of-publishing-enigma-variations

Related articles

• How Perfect Does Your Manuscript Have to Be? (janefriedman.com)
• When’s the Right Time to Leave Your Big Six Publisher? (chazzwrites.wordpress.com)
• Publishers adding value on the marketing side (idealog.com)
• Even If The Experts Are Right, You Might Have To Do Your Own Thing… (nfaa.wordpress.com)
• When to Modify Your Name Due to SEO Concerns (janefriedman.com)

I’d like to get it out on the table at the outset. I’m not a Google hater.

On the contrary, I’m a fan. A huge fan.

Not always. Not blindly. But I can honestly say that Google has changed my life for the better at least several times over. And I believe that Google Books is/will change my life for the better too. But their vision and the many many strings attached are complex.

My